Morgan Wallen’s ‘Problem’ No. 1 for First Month on Billboard 200 Chart

Morgan Wallen’s I’m the Problem has firmly established itself atop the Billboard 200 chart, marking an impressive four-week run at No. 1 as of June 21. This remarkable achievement is underscored by the album’s impressive performance, garnering 209,000 equivalent album units in the tracking week ending June 12, according to Luminate. Although this figure represents a 15% drop from the previous week, it still places the album in a competitive position—making it the largest fourth-week total for an album since Taylor Swift’s The Tortured Poets Department garnered 260,000 units back in May 2024.

I’m the Problem is not only notable for its sales but also for its consistency; it marks the first album since The Tortured Poets Department to maintain four consecutive weeks at No. 1 since its debut. The journey for Wallen’s album has been significant, offering listeners a compelling blend of country, pop, and heartfelt storytelling that resonates widely.

In the latest Billboard 200 rankings, several other noteworthy albums have made their mark. Lil Wayne’s Tha Carter VI debuted at No. 2 with a commendable 108,000 album units. This marks the rapper’s 13th entry into the top 10 charting sets, illustrating his lasting impact on the music scene. In addition, Korean pop sensation ENHYPEN found success as well, with their album DESIRE: UNLEASH arriving at No. 3, racking up 100,000 equivalent album units.

Addison Rae, known for her TikTok fame, released her debut full-length album titled Addison, which launched at No. 4 with 48,500 units. Rae’s presence in the music industry is becoming increasingly acknowledged, as her album includes popular tracks that have previously charted, such as "Diet Pepsi" and "Headphones On."

A particularly interesting occurrence this week is the reentry of My Chemical Romance’s seminal album Three Cheers for Sweet Revenge, which reached No. 6 following a deluxe reissue. Initially released in 2004, this marks the first time the album has broken into the top 10, showcasing the continuing legacy and influence of the band.

The Billboard 200 chart itself provides insights based on multi-metric consumption measured in equivalent album units, combining album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA). It’s interesting to note that with I’m the Problem, the breakdown of the 209,000 units reveals an overwhelming dominance of streaming; SEA units comprised 197,000 of that total, equating to approximately 257.9 million on-demand streams of the album’s songs.

Meanwhile, Lil Wayne’s Tha Carter VI, which debuted at No. 2, showcased a similar trend, with 73,000 SEA units out of the total 108,000 album units. This consistent pattern presents a clear shift in how music consumption is being measured, reflecting the evolving landscape where streaming is at the forefront of audience engagement.

The strength of the current Billboard chart also highlights ENHYPEN’s fifth top 10 album, which marks a growing trend of K-pop’s dominance in Western charts. Their album DESIRE: UNLEASH sold 95,000 copies and received notable praise for its various collectible editions that engage fans directly.

As the music industry continues to adapt and grow, so do the strategies artists employ to reach and connect with their fanbases. Rae’s diverse album formats, including vinyl variants and deluxe editions, demonstrate a keen understanding of market demand and consumer enjoyment.

The enduring nature of classic albums also can’t be overlooked. My Chemical Romance’s Three Cheers for Sweet Revenge saw a staggering increase in fervor, with nearly 44,000 units sold during the tracking week, a massive 809% increase from previous weeks. The band’s nostalgia is clearly tapped into by both old fans and new listeners.

SZA’s SOS, another standout performance, slipped from No. 3 to No. 5 but remains a significant contender, earning 44,000 equivalent album units. This consistency reflects her ongoing popularity and the emotional connection her music has created with audiences.

As the summer of 2025 carries on, the musical landscape remains vibrant and compelling. With fresh album releases and classical reissues making waves on the Billboard 200, the competition continues to heat up. Each artist’s unique approach—from Wallen’s storytelling in I’m the Problem to the dynamic offerings by Rae and ENHYPEN—illustrates the richness and depth of the current music scene.

As the Billboard 200 continues to evolve, staying updated on these trends is essential. For those tracking the latest musical hits, do not forget to follow the official Billboard channels on social media to stay informed on any new developments in these ongoing narratives. The rankings reflect not only the music’s popularity but also the communal experience of listening and connecting through sound. The vibrance of today’s charts promises many more exciting entries and shifts to look forward to.

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