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Lionsgate’s Attempt to Create Movies Using AI Has Crumbled Into Disaster

Lionsgate’s Attempt to Create Movies Using AI Has Crumbled Into Disaster

The recent foray by Lionsgate into AI-generated movies has raised significant concerns and foreshadowed potential pitfalls in a landscape that is increasingly intersecting technology with entertainment. Initially viewed as a groundbreaking partnership with AI startup Runway, the venture has hit major roadblocks, leading to speculation about the future viability of AI in film production and more broadly within the creative industries.

Lionsgate’s ambition began about a year ago when it announced its intention to collaborate with Runway to create an AI model capable of generating cinematic video. As part of this agreement, Lionsgate provided Runway with a wide array of its own film catalog for the purpose of training the AI system. Films ranging from the critically lauded "Hunger Games" to cult classics such as "American Psycho" were made available to inform the AI’s creative output. With lofty promises of producing animated versions of established franchises or reinventing classic films, Lionsgate seemed poised to harness AI’s potential to reimagine its intellectual property.

However, the reality has been far less glamorous. Reports from industry insiders indicate that the venture has devolved into a "slowly unfolding disaster," marred by copyright issues and the fundamental limitations of the technology itself. A source informed The Wrap that even with access to Lionsgate’s extensive catalog, the AI model’s shortcomings became glaringly apparent. The dataset, it turns out, was deemed inadequate, raising the point that even larger catalogs, such as Disney’s, might not provide a workable basis for generative AI models.

This limitation has been echoed across the industry. The current state of AI technology finds itself hampered by a lack of quality training data, thus casting doubt on the sustainability of the methods being utilized to improve these models. If expansive datasets can’t yield refined AI capabilities, the expectations set for the creative output of these models seem overly ambitious.

Adding to the turmoil is the chaotic landscape of intellectual property in Hollywood. The complexities of ownership and distribution mean that the creation of a film involves numerous stakeholders, resulting in a tangled web of legal concerns. The use of generative AI technology introduces its own set of quandaries, particularly as leading firms grapple with the legality of data usage for training models. The recent settlement involving AI firm Anthropic, which agreed to pay $1.5 billion to authors whose works were used to train their systems without permission, underscores the growing legal risks associated with generative AI.

Legal experts suggest that studios might lean on the intellectual property connected to the original works used to inform the AI’s creative output. However, there remains considerable uncertainty regarding whether entirely AI-generated content can be protected under existing copyright laws. Jacob Noti-Victor, a law professor, pointed out that while studios may own the intellectual property their AI adapts from, the work produced by the AI itself could lack full copyright protection, further complicating matters.

From a technological standpoint, the AI-generated video content we currently see is certainly impressive, but it often lacks coherence and cinematic integrity. Although these tools can produce visually captivating sequences, they struggle to create cohesive narratives similar to those found in feature films. The output can often resemble a montage of disjointed clips, more akin to a series of eye-catching promotional materials rather than the carefully curated storytelling expected in cinema.

At present, there are other studios making attempts to incorporate AI into their offerings, but such efforts have also faced challenges. Disney, for example, has found itself entangled in its own complications while trying to integrate AI technology into projects like an upcoming live-action "Moana" sequel with AI-generated performances. The results from these initiatives have not met expectations, revealing that the technology, while rapidly evolving, is not yet refined enough for full utilization in feature filmmaking.

Given the current trajectory, many industry observers speculate that the dream of fully AI-generated movies, like an animated "John Wick," may remain an aspiration for the foreseeable future. While AI does hold promise as a tool to supplement and enhance traditional filmmaking techniques—such as improving visual effects—its potential to independently create entire films remains in doubt.

In a world where AI is being heralded as a transformative force across many sectors, the entertainment industry must tread carefully. The challenges faced by Lionsgate and others venturing into AI movie creation serve as a cautionary tale about the gap between feasible technological possibilities and the creative nuances essential to film-making.

As studios and technologists continue to navigate this evolving landscape, it becomes evident that the integration of AI is not merely a matter of deploying cutting-edge technology; it also necessitates a thorough understanding of the intricate elements that contribute to compelling storytelling on screen. The lessons learned from Lionsgate’s ambitious plan can help inform future endeavors and ensure that the evolution of technology in cinema aligns with the enduring human principles of creativity, narrative power, and audience engagement.

As Lionsgate’s experience illustrates, while there might be excitement surrounding AI’s potential to transform the filmmaking process, it is paramount to balance innovation with a grounded recognition of the creative and legal complexities at play. Until further advancements render AI capable of producing work that truly resonates with audiences, studios may want to reconsider their approach to this burgeoning technology and focus on creating innovative experiences that enrich, rather than replace, the artistry of filmmaking.

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