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King & Conqueror review – James Norton and Nikolaj Coster-Waldau fight the Battle of Hastings | Television

King & Conqueror review – James Norton and Nikolaj Coster-Waldau fight the Battle of Hastings | Television

King & Conqueror Review: An Epic Interpretation of the Battle of Hastings

In an age where historical dramas are crafted with meticulous detail and a story arc that keeps viewers engaged, King & Conqueror, featuring James Norton and Nikolaj Coster-Waldau, attempts to gather the rich tapestry of the past and weave it into a captivating narrative. This eight-part series, co-produced by BBC and CBS, vividly demonstrates the high stakes of the Battle of Hastings in 1066. With its historical assertions and character portrayals, it offers both intrigue and entertainment, despite some shortcomings.

Setting the Scene: 1066 and the Characters of Note

The narrative opens starkly in a black-and-white landscape. We hear shouts of "William!" and "Harold!" echoing across the battlefield, juxtaposing this important historical moment with cultural references like the drama of "Neighbours." Through this lens, we are reintroduced to the figures who shaped this pivotal moment in English history.

Nikolaj Coster-Waldau captively portrays William, Duke of Normandy. Drawing on his experience from Game of Thrones, his performance is layered, though some stylistic choices, such as a comical bristly moustache, detract from his commanding presence. William’s invitation to attend the coronation of Edward the Confessor (masterfully played by Eddie Marsan) carries the weight of familial and political obligation.

Across the sea stands Harold Godwinson, portrayed by James Norton. Norton’s interpretation of Harold lacks the dynamism seen in Coster-Waldau’s William, which leaves him at times overshadowed in a story that deftly presents him as the underdog.

The Struggles of Narrative Flow

Despite the promising setup, King & Conqueror is struck by pacing issues. The initial episodes struggle to achieve momentum due to heavy exposition that feels at times cumbersome. Given that this isn’t a period commonly discussed in casual conversations, the production emphasizes the scope of societal transformation, indicating that the very coronation of Edward the Confessor marks a turning point.

The series also highlights the machinations surrounding Edward’s court, focusing particularly on Lady Emma, portrayed by Juliet Stevenson, who orchestrates events with formidable grace. Fans of historical intrigue will appreciate scenes rich with political maneuvering, alliance building, and even the occasional betrayal, though it often feels like a slow burn, ultimately leading to a clash.

Character Dynamics and Historical Revisionism

One standout aspect of King & Conqueror is its character dynamics. The support cast deserves acclaim, bringing depth to arguably simplified roles. Clémence Poésy, as Matilda, and Clare Holman, embodying Wessex matriarch Gytha, add layers to a script that often tiptoes around deeper explorations of character development.

However, the series grapples with the challenges of historical representation versus dramatic necessity. Questions of whether character portrayals stem from a desire for modern inclusivity or are anchored in historical truth arise, presenting a double-edged sword that prompts discourse among viewers. However, the interplay among key players remains intriguing, setting the stage for thrilling conflicts ahead.

Final Act: The Battle and Consequences

After navigating the exposition, the series crescendos towards the climactic Battle of Hastings—truthfully, the moment that many have anticipated since the opening credits. Viewer expectations of a grand, action-packed finale are met with a rich, albeit straightforward, representation of warfare, charging into color and life as the conflict unfolds.

Yet, viewers may find the resolution lacking if they expect light-hearted or entertaining denouements. The series maintains an earnest undertone throughout its runtime, which, while commendable, prevents moments of levity that could have made for a more enjoyable viewing experience.

The promise of deeper themes around power, sacrifice, and corruption dances in the periphery but struggles to robustly engage the audience. Ultimately, while King & Conqueror serves to memorialize moments in history, it does not fully capitalize on its potential for storytelling.

Conclusion: A Journey Through History, With Caveats

In summary, King & Conqueror embarks on an ambitious journey, exploring a critical moment in British history. With its high-profile leads and a sweeping narrative framework, it offers a visual feast and an important educational glimpse into the past. Yet, despite its rich historical backdrop, the execution may leave some viewers yearning for a more vibrant and engaging dramatization.

The series is now available for viewing on BBC iPlayer in the UK, with plans for its release in Australia via SBS in 2025. For those intrigued by the nuances of historical conflict and the characters who shaped its course, King & Conqueror remains worth a watch, albeit with an understanding of its pacing and narrative stylization.

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