Kelly Clarkson asks Benicio del Toro if bathtub scene was ‘hard’

In a recent episode of The Kelly Clarkson Show, host Kelly Clarkson had an amusing encounter with Academy Award-winning actor Benicio del Toro. The two discussed del Toro’s scene in the upcoming film The Phoenician Scheme, which features an elaborate bathtub sequence. Clarkson’s question about the continuity of filming in such a setting took a comedic turn, leaving both the audience and del Toro in fits of laughter.

The moment arose when Clarkson innocently inquired if maintaining continuity was “hard in that area” during del Toro’s bathtub scene. The studio audience reacted with spontaneous laughter, highlighting the inevitable double entendre woven into her question. Del Toro, maintaining his composure, responded with humor, telling Clarkson, "You get so into trying to figure out the riddle of getting it right that you just forget [you’re in the bathtub], and then the next day, you’re all crinkly like a prune.”

Clarkson, unbothered by the accidental innuendo, quipped about her own experiences with prolonged water exposure, admitting she typically experiences pruniness within just 20 minutes. The playful banter continued, with her clarifying that she did not mean to imply anything inappropriate. "Nasty people," she exclaimed while laughing off the audience’s reactions.

In the film, directed by the renowned Wes Anderson, del Toro plays Zsa-zsa Korda, an assassin recuperating from an assassination attempt. The scene, shot in slow motion, showcases Korda’s routine in the bathtub, depicting him as he eats, reads, and smokes while attended by nurses and staff. The surreal choreography and attention to detail served to elevate the cinematic experience, though del Toro initially had doubts about whether the filming technique would be effective.

Before committing to the extended hours in the bathtub—an estimated eight hours—del Toro questioned the slow-motion filming approach. He recalls Anderson instructing him and his co-stars to move much more quickly than usual, a technique that, in theory, would create a unique visual effect when played back in slow motion. “So if I’m smoking, I got to smoke fast. If I eat, I got to eat fast,” del Toro remembers thinking. His concerns were quelled when he eventually saw the footage, as he noted that the results produced a distinct quality unlike typical filming.

Reflecting on the experience, del Toro expressed gratitude for the creative direction he received from Anderson. He acknowledged that the meticulous choreography brought a musical-like essence to the scene, without any actual dancing. This novel approach to filming has triggered deep appreciation for the artistry of motion and rhythm onscreen, which will surely interest audiences when The Phoenician Scheme hits theaters.

The humorous exchange between Clarkson and del Toro offers a refreshing glimpse into the actors’ off-camera personalities while providing insight into the creative process behind movie-making. Their lighthearted interaction reminds us that even in the hustle and bustle of filming and artistry, laughter remains a central component.

Not only does this have a comedic element, but it also highlights the genuine camaraderie that can be formed in Hollywood. Though Clarkson may have stumbled into a cheeky moment, her ability to quickly pivot and ignite laughter within the audience reveals her charm as a host. As for del Toro, his humor throughout the unexpected circumstances showcases his likable nature.

As The Phoenician Scheme continues to garner attention, viewers can look forward to a film that promises both thrilling storytelling and captivating visual techniques. The undeniable chemistry between the cast and the distinct style evident in Anderson’s works amplify expectations surrounding this cinematic piece.

In an age where serious topics often dominate headlines, it’s essential to celebrate the lighter moments that emerge in celebrity interactions. The fun exchange not only entertained audiences but also underscored the artistry behind on-screen performances. Del Toro’s willingness to dive into the unique demands of his role, even at the expense of being pruned for days, speaks volumes about his commitment to his craft.

Ultimately, this playful moment serves as a reminder of the joy and laughter that film can bring, both on-stage and behind-the-scenes. As we anticipate the release of The Phoenician Scheme, it’s clear that well-executed humor and sincerity will continue to delight audiences as they navigate the complex world of cinema.

Whether through intricate scenes or seemingly simple exchanges, the art of storytelling continues to thrive, encouraging bonds and laughter among creators. With this unique blend of skill and wit showcased on The Kelly Clarkson Show, fans eagerly await what else del Toro and Anderson have in store. The integration of humor with serious film-making is a delicate balance, one that undoubtedly enriches the cinematic landscape. Prepare for more delightful revelations as The Phoenician Scheme premieres, along with another round of laugh-out-loud moments sure to emerge from Clarkson’s engaging hosting.

The witty and heartwarming exchanges that occur in spaces like The Kelly Clarkson Show are part of what makes television enjoyable. Fans can continue to expect amusing interactions that bridge the worlds of entertainment and authenticity, showcasing the essence of who these artists are beyond their esteemed accolades. As they share laughter and personal anecdotes, audiences get a glimpse of the human connection that lies at the heart of all great storytelling.

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