The legal world was recently rocked as the creators of the film “Together,” featuring Alison Brie and Dave Franco, pushed back against a copyright lawsuit alleging plagiarism. The lawsuit, filed by the producers of “Better Half,” claims that “Together” is a blatant ripoff of their project. This legal dispute has generated considerable interest, especially following “Together’s” successful premiere at Sundance earlier this year.
“Together,” which Neon’s team acquired for a striking $17 million after its Sundance screening, is scheduled for theatrical release on July 30. The film’s premise revolves around a couple who become physically stuck together due to a mysterious force—a concept that the creators of “Better Half” also explored, leading to the legal contention. According to the lawsuit, they had pitched their own film to Brie and Franco’s representatives in 2020, only to have it declined.
Legal representation for the “Together” production team, attorney Nicolas Jampol, responded strongly to the lawsuit, arguing that the claims of similarity are unfounded. Jampol contended that “Together” was independently created and highlighted that any perceived similarities between the two films stem from generic concepts that cannot be protected by copyright laws. “Your client does not own this concept,” he stated, emphasizing that the idea of couples being physically joined is a motif prevalent in numerous films and shows throughout the years.
Jampol further asserted that the two films handle their themes in vastly different manners. While “Better Half” presents a light, comedic narrative, “Together” takes a darker route, delving into supernatural and body horror elements. He described “Together” as contrasting “Better Half” in nearly every facet, signaling that their interpretations of similar concepts yield entirely different stories.
Another pivotal point in Jampol’s defense is the timeline of the script development. He noted that “Together’s” screenwriter, Michael Shanks, had registered a draft of the script with the Writers Guild of America in 2019—prior to when “Better Half” was pitched to the actors’ representatives at WME. This timeline underscores Jampol’s argument that the “Better Half” creators’ claims of copying were unwarranted words, as substantial elements of the story were already in place.
However, the plaintiffs have maintained a firm stance, asserting their claims that “Together” has undeniably borrowed from “Better Half.” Their lawsuit positions the similarities as more than mere coincidences, highlighting specific sequences in both films, including the shared motif of the protagonists being attached at the genitals and having to navigate a romantic scenario while maintaining their unusual predicament.
In a June 9 letter responding to Jampol, the plaintiffs’ attorney, Daniel Miller, dismissed the defense’s arguments as bordering on “ridiculous.” Miller pointed out what he considered striking similarities in the sequences of both films, suggesting audiences would see these moments as clear indicators of replication. He demanded further evidence from the defense to validate their independent creation claims, including the screenplay drafts.
In light of the escalating legal battle, Jampol has advised the plaintiffs to reconsider their case and withdraw the lawsuit. He cautioned that pursuing the matter further would prompt the defendants to seek coverage for their legal fees. Jampol’s commentary reflects a broader concern in the creative industry about the ramifications of copyright infringement accusations, especially when leveled against those who have committed their careers to crafting original works.
The ongoing friction between the teams behind “Together” and “Better Half” raises vital questions regarding copyright, originality, and artistic expression. It brings to light the complexities of how ideas evolve within the film industry, illustrating the fine line between inspiration and imitation.
As the release date for “Together” looms, all eyes will be on the courtroom as both parties gather their evidence and prepare for what could be a pivotal moment in determining the legitimacy of their claims. The significance of this case extends beyond just the two films; it highlights the intricate difficulties faced by artists in safeguarding their visions while navigating the vast ocean of creative ideas that are continually reshaped and reinterpreted.
For now, the legal teams will continue to prepare their arguments, and fans await the release of “Together” with bated breath. The resolution of this dispute will undoubtedly have larger implications on how future projects are conceived and the legal landscape surrounding creative works. With differing perspectives from both sides, it will be fascinating to see how this tale of two films unfolds in the courtroom and beyond. As artists always seek new ways to tell stories and explore themes, the dialogue surrounding originality, influence, and artistic freedom remains an essential part of the narrative in cinema and beyond.
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