Home / ENTERTAIMENT / Ben Wang becomes first Asian American ‘Karate Kid’ in new film

Ben Wang becomes first Asian American ‘Karate Kid’ in new film

Ben Wang becomes first Asian American ‘Karate Kid’ in new film
Ben Wang becomes first Asian American ‘Karate Kid’ in new film


In a cultural milestone that resonates with many, emerging star Ben Wang has stepped into the spotlight as the first Asian American lead in the iconic “Karate Kid” franchise with the latest film, “Karate Kid: Legends.” Set to premiere on Friday, this film continues the legacy of the beloved series while reflecting the evolving dynamics of representation in Hollywood.

When Ben Wang was cast, he admitted he hadn’t initially grasped the importance of being the franchise’s first Asian American “Karate Kid.” “At first, I didn’t even think about that,” he shared with The Associated Press. “That feels like a very cool and actually privileged position that I get to be in.” His casting is a significant development, signaling a shift toward inclusivity in a cinematic universe that has traditionally struggled with Asian representation.

Today, Wang’s character, Li Fong, teams up with original stars Ralph Macchio and Jackie Chan to compete in a New York City karate tournament. This blending of old and new not only honors the legacy of the original “Karate Kid” but also breathes fresh life into the narrative by introducing diverse characters. The original film, released over 40 years ago, saw Pat Morita as Mr. Miyagi, a beloved figure who served as a mentor but was notable for being one of the few main Asian Americans in a predominantly white cast. The lack of representation has been a long-standing issue that many audience members have been aware of and vocal about.

Critics and commentators like Jeff Yang point out that while the franchise has entertained audiences, it has often overlooked younger Asian American characters. He articulated this frustration, noting that even the recent Netflix series “Cobra Kai” failed to spotlight young Asian American leads. Yang remarked, “It has always been a situation where the ancient or legendary martial arts master is transferring his skills not just to another generation, but into another community. In a way, that feels like, for me as an Asian American, it turns it into a guilty pleasure.”

The need for change has been palpable, especially considering that in Asia, martial arts are celebrated through film with legendary actors like Bruce Lee and Jackie Chan. Yet, in Hollywood, the portrayal of Asian characters often lacks depth, reducing them to secondary roles or stereotypes. Yang notes that martial arts became popular in America due to soldiers stationed in Asia who embraced these practices, leading to a boom in karate dojos in the ‘70s and ‘80s when “The Karate Kid” was released. The film emerged at a critical moment, igniting a surge of interest in martial arts among American youth across racial lines.

Reflecting on this history, Ken Nagayama, a martial arts grandmaster whose dojo was featured in the original film, recalls the film’s substantial impact on youth interest in martial arts. “When that came out, so many people were interested in taking class,” he noted, emphasizing the excitement and inclusivity it fostered among students of diverse backgrounds.

With “Karate Kid: Legends,” the baton has been passed fully, embracing the call for inclusivity and representation. For Wang, working alongside Jackie Chan has been a profound experience. “He’s the guy you think he is,” Wang remarked about the martial arts icon, revealing the sheer joy of choreographing combat scenes with someone he admired growing up.

The implications of Wang’s casting extend beyond the silver screen. Steven Ho, a martial artist and stunt coordinator, emphasizes that “Karate Kid: Legends” averts the negative stereotypes that have plagued Asian characters for years. For his twin sons, known as the “Twinjas,” the film offers them a chance to grow up without the antiquated clichés that traditionally surrounded Asian characters. The boys, who are well-versed in various martial arts disciplines, appreciate the narrative shifts in new productions like “Cobra Kai” and express their hopes to see more Asian leads in mainstream media.

Ollie, one of the twin brothers, expressed a fondness for Mr. Miyagi, stating, “I think that in the first ‘Karate Kids,’ how the teacher was Asian, I think being a teacher is better than being a student.” His brother Jonny, on the other hand, pointed out the significance of Asian representation in contemporary media, highlighting figures like Simu Liu, who starred in Marvel’s “Shang-Chi.”

Even outside of martial arts, the entertainment landscape is shifting toward greater representation, making strides towards inclusivity. Wang himself recognizes the weight of his role, considering it a privilege to serve as a benchmark for young Asian Americans. “What I love about this series is… there’s this idea anyone can be the ‘Karate Kid,’” Wang commented, emphasizing the universal themes of courage and perseverance.

In the end, “Karate Kid: Legends” isn’t just a film—it’s a cultural statement. Reflecting on personal growth and mentorship, this new chapter in the “Karate Kid” franchise encourages younger generations to envision themselves as heroes, regardless of their backgrounds. As we witness this evolution in representation, it sparks hope for a future where diversity is not just a footnote but a driving force in storytelling.

As we move forward, let us embrace these stories and celebrate the achievements of individuals like Ben Wang, whose journey symbolizes a crucial step toward a more inclusive and representative cinematic landscape.

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